
It has been a while since I had so much righteous rage over a group of characters in a series. If there is ever a group of characters that manages to turn me off so badly that I hope to lynch them, Hana’s family in this new series will definitely be it. From the directors of Samurai Champloo, Michiko to Hatchin aims to reclaim the same fame as that legendary infusion of medieval samurai swordfighting with anachronistic modern values.
Will this series about two runaway girls start well enough?
Summary

Michiko Malandro is a convict in one of the most well-guarded prisons in the world. Two convicts were betting whether she was able to escape. After fleeing through a tunnel, she was surrounded by prison helicopters. In a house, the radio broadcast the news about her prison break as a girl named Hana was preparing an omelet. She overcooked the omelet, and her adopted father dumped her food away. It was clear that the whole family is abusing her.
Maria deliberately spilled dirty water while Hana was mopping, while the asshole son threw stones at her and forced her to imitated swimming when she is hanging the clothes. On the aftermath, the mother blamed her for the dirty water that was spilled on the floor. Hana was locked up as punishment. When she bathed, her water supply was cut off, and her clothes were taken presumably by Maria. Hana wrapped herself with the towel, and Maria tried to take the towel away. Hana resisted, and Maria kicked her off the floor.
Hana explained that she was adopted, and someone from the police would appear to check out Hana’s status. Hana murmured that it was all an act in order to get money from the government for adopting her. During the meal with the policeman, the whole family acted like they are having fun. Just then, Blanco the cat appeared, and Hana was asked to take care of it. Flashbacks showed that the kids never bothered to take care of the cat.

After the man left, the mother complained that the money was too little to herself. She also tied Blanco up and told Hana to dump it. The next day, the son asked where Blanco was, and her mother asked whether Hana knew it. She told she would know, since she gave Blanco to Hana. Hana realized she will be tortured again. The son made Hana her dog, and the two kids kicked and made fun of her. They then tried to burn her face with an iron. Eventually, Hana lost it and fought back the boy.
The boy started to cry, and Maria said that Hana did wrong. Hana insisted she was not wrong, and she was kicked out literally by Maria. Maria said they do not need a child like her. In a fit of fury, Hana stood up, slapped and bashed Maria while telling them how she was tolerating them the whole time. After that, Hana left home. Hana mumbled that she hoped someone would miraculously take her away from the pain, but no one would.
Michiko called the family, and said that she would pick up Hana tomorrow. When asked, Michiko said she was Hana’s mother. The father realized that it might be a kidnapper, and got ready his shotgun. He thought that they wanted to threaten the adoption money. The next day, Michiko broke through the window with her motorcycle. Michiko asked Maria who is Hana. While questioning Maria, the father fired a few ineffectual shots. After realizing who Hana was, she took Hana away from this family. Hana wondered who she was, and the end showed the two running away from police cars.
Thoughts

Ok, hands up for anyone who watched this show who doesn’t want to fricking lynch that hypocritical bastard of a family. I would have fought back much earlier if I was Hana, but the practical side that she has no one to depend on means she simply has to tolerate their abuse. Some of their abuse are extremely malicious, and these people will go to living hell soon. I was sad Michiko didn’t shoot their guts out. That will be karmarific.
Anyway, rant aside, it is clear that there is that similar music influence from Samurai Champloo. Anyone who watches the OP will understand what I am saying because my mind was completely thinking whether it is the same group of people who have worked on that series. After a check on ANN, it turns out that I am right to say that. The music and ambiance during the series is magnificent, and I found it to be as good as the music from Ga Rei Zero. That is no mean fate.
In terms of the characters, I have honestly seen little from Hana and Michiko despite huge emphasis on them. Michiko seems like a pretty reckless criminal that does not hesitate to make chaotic actions in order to fulfill her own need. I mean she simply went into rampage and robbing to get what she wants. Hana seems docile in general, so I don’t know how to think of her. However, I am wondering why Michiko knew about Hana, and why she decided to pick her up. Is she really her mother?
One key thing that I somewhat dislike is the character design. I personally think that the animation for this series is top notch. However, the character design seems strange, and Hana particularly looks really queer at times. I don’t even know how to describe it. It’s not bad… but just a bit different from usual.
Anyway, the bottom line. Is this worth watching? This episode is mostly a set up for the future episodes. You might want to keep this in view.
Ending thought: I really want to kill those two punk kids.
18 Comments
yup. i really hope we dont see those characters again.
I totally agree with you, this is a wonderful series! Best I’ve watched so far this season. I can’t wait to see what will happen next! Tsuzuku, quickly! ^_^
Just a minor nitpick: the scene of Hana attacking Maria, slapping and punching her, is of course a fantasy (just like the fantasy with the guy in the truck coming to take her). You’ll notice that, next morning, Maria’s face is fine as always, no cuts or bruises at all. And Hatchin hasn’t been punished or beaten brutally. That scene showed what she WANTED to do, not what she did — what she did was running away, then returning home after a little while, realizing she had nowhere to go. T_T
Not Interested. There are better shows than this.
I don’t like how the two kids are uglier than hana. This type of stereotype should be squashed.
Interesting but honestly, it feels like the show’s trying to ahrd to be cool…and the shadows of samurai champloo and cowboy bebop are there.
FAMILY. WITH FIRE. KILL.
Your depiction of this with foppery and QQ is delightful but, hitherto, the comments sure aren’t encouraging.
AND OMG THE CONVICT IS BLACK. RACIST.
To me, this series is going to be one of the best this season.
I called it when the first trailer came out a long while back and damn
the first episode did not disappoint.
Also, the music is great.
Seems to me like you rushed through this post. o_O I had hoped you’d expand a bit on the episode, but rather, you’ve surprised me with terrible grammar and a lackadaisical ’summary’. This is clearly below your average standard of quality and I’m hoping you won’t keep this up for the remainder of this season (you are one of my favorite bloggers after all).
I am most curious on where the main plot is going. For that, I will keep on watching. And I actually like the character design. Hana is an overlooked, nondescript little girl, and that is exactly what her character design looks like.
(The adopted family doesn’t freak me out as much as the ones you read about in the news or hear about from a friend/relative, the sort of families that this one is based on. Those I do want to lynch.)
disappointed: very one-sided, good vs. bad too obvious, not original, slow action scenes, mediocre excitement.
some good things: plot has potential, adequate character designs
I love the OP. It has a funky feel to it. It’s nice to have an instrumental OP once in a while!!
http://worldofanimemusic.blogspot.com
FUCK! I want this on DVD so bad! I’m saying this, and all I’ve seen is a trailer. It just looks so good to me!
Niggers? In my anime? Shitsucks.
@Frog212: My guess, we won’t. Actuall I hope we do see them so that Michiko can open them up to dissect them.
@Nene: Hmmm, ya, that was actually one of the things I noted while watching it but didn’t remember when I am blogging it. I actually find that strange, and I wondered if Hana is just dreaming about bashing her up. It clearly does not seem right.
Thanks for that note. It helps a little since they did not add the blatant dreamy background.
@soso: Sure, but there are much worse shows out there too.
@Elva: And lynched?
@Zeus: Yes, it does. I am somewhat ambivalent whether it is good or bad for now. If anything, I will say that it at least deserves a second episode watch. Anything more will be decided then.
@Lelangir: And we are in Brazil.
@Sleepingpanda: Ya, I actually rushed through the episode summary. There was quite a bit to be done, but I wanted to post it. Got lazy, hehe, and detected. Maybe it is the fact that I actually detest writing summaries unless the show is really good enough for me to write something nice. If I am somewhat uninspired, things usually turn out bad.
@5: Ya, I am actually wondering where it will go.
@HC: Ya, adequate but nothing compelling to say: this is going to be the best anime series.
@LDC: LOL WHAT.
Sigh, I get it. Also, sorry if my post seemed somewhat like a flame. I went (a tad?)overboard I guess, and for that, I apologize. I looked forward to this series all summer, and, had hoped to see my favorite blogger enjoy it as much as I did (sans Hatchin’s adoptive family). However, that’s just the introduction and I’m sure it only gets better from there. The animation quality was top notch and so was the music.
Great show. The only one this season to directly touch on real issues. Very refreshing to see anime that doesn’t focus on harems or spirits. Also glad to see that Manglobe recognizes that mature people also watch anime.
Despite what some say, this episode did not go overboard. Kids die all the time from neglect and abuse. Many are also sold into various forms of slavery in the real world, and invariably suffer worse. That’s life here and now. It’s brave for Manglobe to address this terrible issue, especially in a medium known for saccharine.
It’s also unnerving to see that Hana’s family is a scaled analogy for many societies. Order and freedom were driving themes in Samurai Champloo. I’d like to see how Michiko to Hatchin takes these and other issues.
This is a quality programme,I think the stories are very well thought out, and the acting is super. I never thought I could take Thomas Gibson as a serious actor after Darma and Greg. But I think he is so good in this…Catch all eps Watch Criminals Mind Free here…
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